Fiction FIRST: Excerpt from Finding Hollywood Nobody by Lisa Samson

It is May FIRST, time for the FIRST Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and his/her latest book's FIRST chapter!

Today's feature author is:

LISA SAMSON

and her book:

Finding Hollywood Nobody

Navpress Publishing Group (February 15, 2008)

ABOUT THE AUTHOR:

Lisa Samson is the author of twenty books, including the Christy Award-winning Songbird. Apples of Gold was her first novel for teens

These days, she's working on Quaker Summer, volunteering at Kentucky Refugee Ministries, raising children and trying to be supportive of a husband in seminary. (Trying . . . some days she's downright awful. It's a good thing he's such a fabulous cook!) She can tell you one thing, it's never dull around there.

Other Novels by Lisa:

Hollywood Nobody, Straight Up, Club Sandwich, Songbird, Tiger Lillie, The Church Ladies, Women's Intuition: A Novel, Songbird, The Living End

Visit her at her website.

AND NOW...THE FIRST CHAPTER:


Chapter One

Hollywood Nobody: Sunday, June 4

Well, Nobodies, it's a wrap! Jeremy's latest film, yet another remake of The Great Gatsby, now titled Green Light, has shipped out from location and will be going into postproduction. Look for it next spring in theaters. It may just be his most widely distributed film yet with Annette Bening on board. Toledo Island will never be the same after that wacky bunch filled in their shores.

Today's Hottie Watch: Seth Haas has moved to Hollywood. An obscure film he did in college, Catching Regina's Heels (a five-star film in my opinion), was mentioned on the Today show last week. He was interviewed on NPR's Fresh Air. Hmm. Could it be he'll receive the widespread acclaim he deserves before the release of Green Light? For his sake and the film's, I hope so.

Rehab Alert: I've never hidden the fact that I don't care for bratty actress Karissa Bonano, but she just checked into rehab for a cocaine addiction. Her maternal grandfather, Doug Fairmore, famous in the forties for swashbuckling and digging up clues, made a public statement declaring the Royal Family of Hollywood was "indeed throwing all of our love, support, and prayers behind Karissa." The man must be a thousand years old by now. This isn't Ms. Bonano's first stint in rehab, but let's hope it's her last. Even I'm not too catty to wish her well in this battle. But I'm as skeptical as the next person. In Hollywood, rehab is mostly just a fad.

Today's Quote: "It's a scientific fact. For every year a person lives in Hollywood, they lose two points of their IQ." Truman Capote

Today's Rant: SWAG, or Party Favors. Folks, do you ever wonder what's inside those SWAG bags the stars get? Items which, if sold, could feed a third-world country for a week! And have you noticed how the people who can afford to buy this stuff seem to get it for free? I'm just sayin'. So here's my idea, stars: Refuse to take these high-priced bags o' stuff and gently suggest the advertisers give to a charitable organization on behalf of the movie, the stars, the whoever. Like you need another cell phone.

Today's Kudo: Violette Dillinger will be appearing on the MTV Video Music Awards in August. She told Hollywood Nobody she's going to prove to this crowd you can be young, elegant, decent, and still rock out. Go Violette!

Summer calls. Later!

Monday, September 15, 4:00 a.m.

Maybe I'm looking for the wrong thing in a parent.

I turn over in bed at the insistence of Charley's forefinger poking me in the shoulder. "Please tell me you've MapQuested this jaunt, Charley."

She shakes her tousled head, silhouetted by the yellow light emanating from the RV's bathroom. "You're kidding me right?" She slides off the dinette seat. Charley's been overflowing with relief since she told me the truth about our life: that she's not really my mother, but my grandmother, that somebody's chasing us for way too good of a reason, that my life isn't as boring as I thought. We're still being chased, but Charley can at least breathe more freely in her home on the road now that I know the truth.

Home in this case happens to be a brand-spanking-new Trailmaster RV, a huge step forward from the ancient Travco we used to have, the ancient Travco with a rainbow Charley spread in bright colors over its nose.

"Where to?" Having set my vintage cat glasses, love 'em, on my nose, I scramble my hair into its signature ponytail: messy, curly, and frightening. I can so picture myself in the Thriller video.

"Marshall, Texas."

"East Texas?"

"I guess."

"It is." I shake my head. Charley. I love her, I really do, but when it comes to geography, despite the fact that we've traveled all over the country going to her gigs ever since I can remember, she's about as intelligent as a bottle of mustard. And boy do I know a lot about bottles of mustard. But that was my last adventure.

"If you knew, then why did you ask?" She flips the left side of her long, blonde hair, straighter than Russell Crowe, over her shoulder. Charley's beautiful. Silvery blonde (she uses a cheap rinse to cover up the gray), thin (she's vegan), and a little airy (she's frightened of a lot and tries not to think about anything else that may scare her), she wears all sorts of embroidered vests and large skirts and painted blue jeans. And they're all the real deal, because Charley's an environmentalist and wouldn't dream of buying something she didn't need when what she's got is wearing perfectly well. She calls my penchant for vintage clothing "recycling," and I don't disagree.

"Is this really a gig, Charley, or are we escaping again?"

She shakes her head. "No phone call. I really do have a job."

I feel the thrill of fear inside me, though there's no need right now. Biker Guy almost got me back on Toledo Island. (Yeah, he looks like a grizzled old biker.) To call the guy rough around the edges would be like saying Pam Anderson has had "a little work done."

I've been looking over my shoulder ever since.

But more on that later. We need to get on the road. And I need to get on with my life. I'm so sick of thinking about how things aren't nearly what I'd like them to be.

I mean, do you ever get tired of hearing yourself complain?

I flip up my laptop, log on to the satellite Internet I installed (yes, I am that geeky) and Google directions to Marshall, Texas, from where we are in Theta, Tennessee—actually, on the farm of one of Charley's old art-school friends who gave her some work in advertising for the summer. Charley's a food stylist, which means she makes food look good for the camera. Still cameras, motion picture cameras, video, it doesn't matter. Charley can do it all.

"Oh, we've got plenty of time, Charley. Five hundred and fifty miles and . . . we have to go through Memphis . . ."

My verbal drop-off is a dead giveaway.

"Oh, no, Scotty, we're not going to Graceland again."

The kitsch that is Graceland speaks to me. What can I say?

And you've got to admit, it's starting to look vintage. Now ten years ago . . .

I cross my arms. "Do you have cooking to do on the way?"

Yes, highly illegal to cook in a rolling camper.

"Yeah, I do."

"And do you expect me, an unlicensed sixteen-year-old, to drive?" Again, highly illegal, but Charley's a free spirit. However, she refuses to copy CDs and DVDs, so in that regard, she's more moral than most people. I guess it evens up in the end.

"Uh-huh."

"Then I think I deserve a trip through the Jungle Room."

She rolls her eyes, reaches down to the floor, and throws me my robe. "Oh, all right. Just don't take too long."

"I'll try. So." I look at the screen. "65 to route 40 west. Let's hit it. And we'll have time to stop for breakfast."

Charley shakes her head and plops down on the tan dinette bench. The interior of this whole RV is a nice sandy tan with botanical accents. Tasteful and so much better than the old Travco that looked like a cross between a genie's bottle and the Unabomber cabin. "You're going to eat cheese. Aren't you?"

"I sure am."

And Charley can't say anything, because months ago she told me this was a decision I could make on my own.

Freedom!

"I've rethought the cheese moratorium, baby. I know you're not going to like this, but three months of cheese is enough. I can't imagine what your arteries look like. I think it's time to stop."

"What?" Cheese is my life. "Charley! You can't do this to me."

"It's for your own good."

"Are you serious?"

"Yeah, I am."

"Why?"

"Because summer's over, baby, and we've got to get back to a better way of life."

I could continue to argue, but it won't do any good. Charley acts all hippie and egalitarian, but when push comes to shove, she's the boss. However, I'm great at hiding my cheese . . . and . . . I'm going to convince her eventually.

But still.

"This isn't right, Charley, and you know it. But it's too early to argue. And might I add, you have no idea what it's like to have a teen with real teen issues. You ought to be on your knees thanking God I'm not drinking, smoking, pregnant, or"—I was going to say sneaking out at night, but I've done that, just to get some space—"or writing suicidal poetry on the Internet!"

We stare at each other, then burst into laughter.

"Just humor me this time, baby," she says. "We'll come back to it soon, I promise."

I don't believe her, but I hop into the driver's seat, pull up the brake, throw the TrailMama into drive, and we are off.

Six hours later

I pull through Graceland's gatehouse at ten a.m., park near the back of the compound's cracked, tired parking lot, and change into some crazy seventies striped bell-bottoms, a poet shirt, and Charley's old crocheted, granny-square vest. Normally I go further back in my vintage-wear, but I'm trying to go with the groove that is Graceland.

I kiss Charley's cheek. "I'll be back by noon."

"When will that put us in Marshall?"

"By six thirty."

"Because I'm not sure where the shoot is."

"Please. Marshall's small. Jeremy and company will make a big splash no matter where they set up. Besides, growing up around this, I have a nose for it."

She awards me one of her big smiles. "You're somethin', baby. I forget that sometimes." She puts her arms around me, squeezes, pulls back, then smacks me lightly on my behind. "Tell Elvis I said hello."

"Oh, I will. He's one of the groundskeepers now, you know."

I've seen computer-generated pictures of what he would look like now, in his seventies. Scary.

I jump down from the RV, head across the parking lot, over the small bridge leading into the ticketing complex and walk by Elvis's jets, including the Lisa Marie. Gotta love anything with that name. Don't know why. Just has a nice ring to it.

Banners proclaim, "Elvis Is."

Is what? Dead? A legend? What? Because he isn't "izzing" as far as I'm concerned. Present tense, people! If the person's not alive, "is" can only be followed by a few options: Buried up in the memorial garden. Rotting in his casket. Missed by his family and friends. Not exactly banner copy, mind you.

Still, you've got to admit the name Elvis wreaks of cool. Perhaps the sign should read, "Elvis Is . . . A Really Cool Name."

But it's not nearly as cool as my name. You see, my real mother loved the writer F. Scott Fitzgerald. And that's my name: Francis Scott Fitzgerald Dawn. Only Dawn's not my actual last name. I don't know what my real last name is. My real first name is Ariana. Being on the run, Charley renamed us to protect our identity. So she honored my mother by naming me after Mom's favorite novelist. More on that later too.

It sounds fun, traveling on the road from film shoot to film shoot, never settling down in one place for too long, but honestly, it's very sad.

I always knew Charley lived with a sadness down deep, and when I found out why this spring, her sadness became mine. See, my dad is dead and my mother, Charley's daughter Babette, is too. Or we think she must be, because she disappeared under questionable circumstances and never came back. Learn that when you're fifteen and see where you land.

When I thought Charley was my mother, I had such high hopes for who my father might be. Al Pacino was number one in the ranking. Don't ask.

Okay, Elvis, here we go. Let's you and me be "taking care of business."

I hand over my money to the lady behind the reservations counter. I called thirty minutes ago on my cell phone, compliments of my mother's friend Jeremy, and reserved a spot.

"You'll be on the first tour."

Yes! More time amid the shag carpeting and the gold records. And the jumpsuits. Can't forget the jumpsuits. I want a cape too.

The gift shop calls to me. Confession: I love gift shops. They even smell sparkly. Key chains dangling, saying, "You can take me with you wherever you go!" Mugs with the Saint Louis Gateway Arch or the Grand Ole Opry promising an even better cup of coffee. Earrings that advertise you've been somewhere. That's exactly what I choose while I wait for the tour, a little pair of dangly red guitars with the words Elvis Presley in gold script on the bodies, and how in the world they put that on so small is beyond me. See, gift shops can even be miraculous if you take your time and look.

A voice over the loudspeaker announces my tour number, so I stand in line. By myself. Just me in a group of twenty or so.

Okay, here is where it gets hard to be me. I know I should be thankful for my free-spirited life. But especially now that I know my parents are dead, it feels empty all of a sudden. I shouldn't be standing in line at Graceland alone. My mother and I should be giggling behind our hands at the man nearby who's actually grown a glorious pair o' mutton-chop sideburns, slicked back his salt-and-pepper curls, and shrugged his broad shoulders into a leather jacket. Really, right? My father, who was an FBI agent the mob shot right in a warehouse in Baltimore, would shake his head like a dad in a sixties TV show and laugh at his girls.

We'd get on the bus like I'm doing now, each of us putting on our tour headphones and hanging the little blue recorders around our necks in anticipation of the glory that is Elvis.

The driver welcomes us as he shuts the hydraulic doors of the little tour bus with its clean blue upholstery, a bus in which an assisted-living home might haul its residents to the mall.

It smells new in here, and my gross-out antennae aren't vibrating in the least like they do when I go into an old burger joint and the orange melamine booth hasn't been scrubbed since the place opened in 1987.

In my fantasy, my dad would sit beside me. And Mom, just across the aisle, holding onto the seatback in front of her, would look at me as we pass through those famed musical gates, because she would have introduced me to Elvis music. According to Charley, my vintage sentimentalism comes from my mom. I've learned a little about her this summer.

Charley said, "She'd wear my cousin's old poodle skirt and listen to Love Me Tender over and over again while writing in her diary." She became a respected journalist, loved books as much as I do. I pat my book in my backpack, looking forward to tonight when I can cuddle into my loft and get into one of Fitzgerald's glittering worlds. "She was different from me, Scotty. I tried to change the world through protest. Your mother wanted to build something completely different and much better." She sighed. "All my generation could do, I guess, was tear apart. It's going to take our children to put the pieces back together. Babette was a very careful person. Very purposeful."

If it drove my freewheeling grandmother crazy, she doesn't let on.

"I could try to describe how much she loved you, baby. But I don't think I could begin to do her devotion to you justice. I was so proud of her, for how much she loved and gave away. She was amazing."

So in May I found out she existed, the same day I found out she is dead, or most likely dead. And now I'm going into Graceland alone, truly an orphan. Who wants to be an orphan?

We disembark from the bus—me, Elvis Lite, some folks from a Spanish-speaking country, and a lot of older people. I miss Grammie and Grampie right now. More later on them, too. And you'll get to meet them. Like the waters of the Gulf Stream, we seem to travel in the same general direction. I spent a week with them this summer in Tennessee. Yeah, we did Nashville right. They're loaded.

Standing beneath the front porch, my gaze skates up and down the soaring white pillars and comes to rest on the stone lions that guard the steps. My father was a lion. That's why he ended up with a bullet in his chest. Speaking in very broad terms, the story goes as follows:

Dad, undercover, worked his way into a portion of the mob, or mafia if you prefer, that was heavily financing the campaign of a Maryland gubernatorial candidate. When they discovered him, they shot him on site, in a warehouse in the Canton neighborhood of downtown Baltimore. My mother watched, gasped, and a chase ensued. She hid in a friend's gallery, called Charley and told her to keep watching me. (Charley had kept me the night before because my mom and dad had some glamorous function to attend.) And then she disappeared.

The Graceland tour recorder tells me to look to my right into the beautiful white living room with peacock stained-glass windows leading into the music room. This room really isn't so bad, I've got to admit. A picture of Elvis's dad hangs on the wall. He really loved his parents.

I've toured this house at least seven times before, and I'll tell you this, Elvis's love for his family soaked into the walls. A girl that lives in a camper, has dead parents, and is being chased by someone from the mob who knows my grandmother knows what went down, well, she can feel these things.

Charley thinks someone's trying to kill us. This guy is always trying to find us, but Charley's really great at evasion. She said the politician who won the governor's seat all those years ago just announced his candidacy for president and—oh, GREAT!—he's probably trying to make sure nothing comes back to haunt him and sent Biker Guy to finish off the entire matter.

The thing is, he seems to be after me too. And what in the world would I have to do with all of that?

I'll bet Charley's back in that camper shaking in her shoes because I'm over here by myself; I'll bet she's figuring out more ways to be utterly and overly protective of me. I wouldn't be surprised if she's wondering whether locking a kid in an RV is child abuse.

But I love Charley. I really do. I know she's scared back there, and despite the fact that I would be no real help if Biker Guy caught us, I can't leave her there so frightened and alone for long.

Elvis dear, I can only stay a little while. So love me tender, love me sweet, and for the sake of all that's decent, don't step on my blue suede shoes.

I hurry past the bedroom of Elvis's parents, decorated in shades of ivory and purple, very nice, and through the dining room—a little seventies tackiness I'll admit—into the kitchen with dark brown cabinetry and the ghosts of a million grilled peanut butter and banana sandwiches, then on down into the basement. Okay, I admit, I've got to just stand for a second in the TV room and admire the man's ability to watch three TVs at once on that huge yellow couch with the sparkly pillows.

I shoot through the billiard room, which is, honestly, truly beautiful with its fabric-lined walls and ceiling, up the back steps and into the Jungle Room, probably Graceland's most famous room. Green shag carpet overlays the floor and the ceiling, and heavily carved, Polynesian-style furniture is arranged around a rock-wall waterfall at the end of the room. It really defies the imagination, folks. Google Jungle Room Graceland and see what I mean.

The second floor of Graceland is closed off to the public because Elvis died up there. On the toilet. Wise decision on the part of Priscilla I'd say.

Out the door, into the office building, down to the trophy hall, I whiz through all the gold and platinum records, the costumes, the awards, and even a wall full of checks he'd written for charity. According to my recorder, Elvis was an active community member in Memphis. And he obviously didn't care what race or religion people were. He supported Jewish organizations, Catholic, Baptist. Pretty cool.

Of course, this recorder isn't going to tell of the dark side of the man. But Elvis Isn't, despite what the banners say. So why drag a dead man through the mud?

I hurry through the racquetball court, more gold records, the infamous jumpsuits, back outside to the pool and memorial garden where Elvis has been laid to rest.

An older lady cries into a handkerchief. I don't ask why.

Good-bye Elvis. Thanks for the tour. Maybe one day I'll do something great too.

A few minutes later . . .

Goodbye

I imagine I can hear his voice. Saying my name. He sits in a chair, in the corner of the room, wearing a faint smile. Waiting for my hug.

Been so long since I’ve seen you, Dad.

I know.

I’ve missed you—the words choke in my throat, won’t come out.

He nods and smiles. Me too.

You never got to see your grandson, never got to see me graduate from high school. You never got old. Your hair never turned gray.

He stands, horn-rimmed glasses probably not necessary anymore, but he wears them just the same. His hair is cut in the same crew cut, and it’s still as black as the last time . . . the last time I saw him.

Laying flat on his back, inside that wooden box. He was supposed to breathe, wasn’t supposed to lay so still. I couldn’t cry until I saw him, trapped forever inside that wooden prison. And then, I finally realized that I would never see him again.

Never.

Wouldn’t hear his voice on the phone, wouldn’t sit beside him in the car. Wouldn’t kiss his stubbled cheek. Wouldn’t be able to tell him how much I love him. Always did. Always will . . . always and forever will.

Then I couldn’t stop crying. Couldn’t catch my breath. Whoever stole your breath, Dad, well, they took mine too.

Surrounded by all those people who loved you, I turned into a complete mess.

At 16 . . .

At 16 . . . I melted when you left.

Sometimes I imagine that you are here, that I can hear you and you can hear me. But I can only hold you in my mind for a few moments. Then I have to let you go.

Because it hurt too much that first time you left.

The Price of Freedom

When my father finally came back from his quest he was no longer my father. The horrible thing is I wasn’t myself either. I wish it was easy to explain, wish I could put it all into a neat and tidy box, wrapped up in pretty paper and ribbon. Wish I could sit down and open that box by myself someday, to see if the end somehow mirrors the beginning, to see if there was any foreshadowing that I could have picked up on.

But the bottom line is there was a price for my father’s freedom.

And it was me.

I don’t belong to him anymore. Don’t belong to anyone now.

It took years for me to buy my own freedom, hiding bits of copper and silver that I earned on the streets. Took even longer for me to unlearn my new foreign accent, to replace it with something liquid and elegant, something that flows off the tongue. And then there were the months spent practicing the fine art of Kundow, the local combination of dance and self-defense.

And finally, with my face painted, I donned the traditional dress of a warrior princess and performed every night down at the Painted Pony. Knowing that one day he would walk in the door.

I saw it in my dreams and I knew it would happen.

The end of my father’s quest was destined to be the beginning of mine.

NOTE:
Rachelle was having a contest over at her site that looked like too much fun. So the story above is my entry. The entry that I didn't enter.

Stories in the Dark

We sat together for a few frightening moments when the shroud of darkness fell. Some people would call it a power outage. Those who huddled before incandescent boxes, longing to watch the latest episode of American Idol. My grandchildren and I stood before the French doors, staring out upon a black horizon.

Once there had been a curved hillside, sprinkled with diamond lights. Other homes scattered across the undulating bosom of Southern California. Now there were only moon and stars, and a universe of the unknown.

Within minutes I had candles glowing, a safe pathway of light that led from the kitchen to the bathroom, while the living room became the safe haven. Wrapped in blankets, not because it was truly cold, but because the darkness seemed to steal part of our souls, we curled together on the sofa. Nearby tables stood bathed in golden flickering light. Somewhere, a clock ticked away, a loud rhythmic reminder of how alone we were.

We were stuck in this black envelope, but we were together. That brought us hope. Made us smile as we snacked on “raw” marshmallows.

In this shadowed land I was the Old One, the Great Leader, the Only Adult. Four gleaming eyes peered up at me for wisdom, for encouragement.

So I began, with the only power of distraction that I had within me, the only method of making time pass more quickly.

I began to tell them stories.

Stories of dark and lonely places, tales of lost souls, legends of heroes.

“This is the beginning,” I said in my best Grandmother voice.

And it was, it still is.

It is the beginning of the Dark Age in Alien Dream.

The time of the stories . . .

A New Place to Hang Out

If you’re looking for someplace cool to meet readers and writers of faith-based speculative fiction, check out Christian Speculative Fiction. It’s a new social network on Ning and it’s way fun.

See you there!

Saying Good Bye to a Legend

I'm going to miss this guy! God bless you, Charlton.

Bringing Speculative Fiction to the Big Screen

Two speculative fiction films, The Chronicles of Narnia: Prince Caspian and Journey to the Center of the Earth 3D, will be released in 2008. Both are based on classic books. Both were produced by Walden Media.

"Acclaimed for such films as The Chronicles of Narnia: The Lion, The Witch and The Wardrobe; Charlotte's Web; and Bridge to Terabithia, Walden Media aims to recapture imagination, rekindle curiosity, and demonstrate the rewards of learning. "

Today, Marcus Goodyear has an interview with Micheal Flaherty, president of Walden Media, over on The High Calling.

Check it out!

Chronicles of Narnia: Prince Caspian Trailer

It's coming and I can't wait! See you in line at the theater . . .

Interview with Andy Meisenheimer

Writer’s conferences have long been the safe watering hole, that land where the unpublished gazelle can stride with semi-confidence beside the best-selling tiger. From chart-topping authors to power-house agents, the opportunity to brush shoulders with the literary elite is well worth the price of admission. Seminars on query letters and killer proposals offer necessary wisdom for those who want to get ahead of the pack.

And fortunately—for the brave—there is another opportunity that lurks in the Serengeti shadows.

Somewhere among these publishing professionals there strides the mighty lion: the ever-elusive, the ever-popular acquisitions editor. While it may seem hard to believe at first glance, he (or she) is almost always nice. Here, in his natural habitat surrounded by other writers and editors, he rarely bites at all. That is, unless you’re trying to steal that seared ahi tuna off his plate . . .

All wildlife metaphors aside, I met Andy Meisenheimer—fiction acquisitions editor for Zondervan by day, proud husband and father and talented musician by night—at the 2007 Mount Hermon Writer’s Conference. And I have to say, this editor really is one nice guy.


He has a vision for fiction that led him to acquire such books as My Name is Russell Fink by Michael Snyder and The Almost True Story of Ryan Fisher by Rob Stennett (due out in June, 2008).

If you ever want to know what is up and coming on his growing list of fiction, just check out his blog: These Are Books. Or you could check out one of his guest posts at literary agent, Chip MacGregor’s blog.


Or you could check out the upcoming OCCWF writer’s conference on April 12 (Sorry. Shameless, but necessary promotional plug.)

I had the opportunity to interview Andy recently. Like every other writer on the planet, I was curious to know his opinion on a number of subjects. So, with no more cyber-babble from me, here are his answers.

MERRIE: If a book could be published by either a Christian publisher or a secular publisher, what recommendations would you make to the writer?

ANDY: Take into account all factors, not just Christian v. ‘generic’. Did you find the right editor for the book? Will the company give the book the support it needs? Will it be able to market the book effectively? Will it be able to reach the primary consumer? Right now, Christian publishers are strong in selling to CBA channels and growing in their ability to market ABA channels effectively. And there’s a better chance they’ll believe in your book by sharing in the spirituality. But if you’re blessed enough to be choosing between the two, then I don’t believe the “Christian v. secular” is the most important factor.

MERRIE: Those are all important questions to remember. [Wait, I need to write this stuff down.] Okay, next question: What are some classic books that you would recommend to aspiring writers?

ANDY: Characters and Viewpoint, Orson Scott Card
Novelist’s Essential Guide to Crafting Scenes, Raymond Obstfeld
On Directing Film, David Mamet
Those are mostly for novelists and narrative nonfiction writers. For general nonfiction, nothing more than Strunk and White is necessary.

MERRIE: [Now I need to go buy a couple of books. But I like books, so that's cool.] So, what one piece of advice would you give to writers who want to submit their manuscripts to Zondervan?

ANDY: Look at your proposal as a story. Make sure that every part of it reflects you as a writer. If your synopsis doesn’t reflect capable craftsmanship and storytelling ability, then why should anyone believe that your manuscript will?

MERRIE: That's an interesting answer. [Perhaps synopsis writing is an artform. Perhaps I should learn this artform . . .] Is there a common element or mistake you see in manuscripts that you reject?

ANDY: One thing I see in the sample writing is a lack of narrative maturity, especially in certain genres. When I’m reading something that’s not supposed to be a contemporary inspirational novel that ends up sounding like a contemporary inspirational novel, I know that I’m not dealing with something that can transcend the Christian fiction subculture. It’s especially apparent in espionage thrillers, speculative fiction, and the genre no one will call “horror” but that’s what it is.

MERRIE: [Now I'm wondering if my contemporary inspirational novel about two aliens who try kidnap the U.S. president is slightly off target. Arrgghh.] Ahem. Mr. Meisenheimer, thank you so very much for joining us here in the wilderness of Alien Dream! I really appreciate your time and I hope you enjoy your trip to sunny California.

ANDY: Thanks for having me!

STAY TUNED, ALIEN DREAM READERS. WE’LL HAVE MORE INTERVIEWS WITH OCCWF FACULTY NEXT WEEK! SAME BAT CHANNEL, SAME BAT TIME.

And don’t forget, there are still openings available to attend the OCCWF conference. Visit their site at http://www.occwf.org/ for more information.

Fiction FIRST: Excerpt from Ryan Watters and the King's Sword

It's time for the FIRST Day Blog Tour. (Click the button if you want to join the alliance.) The FIRST day of every month we feature an author and his/her latest book's FIRST chapter. NOTE: You can purchase this book on Amazon.

The special feature author is:

ERIC REINHOLD

and his book:

Ryan Watters and the King's Sword
Creation House (May 2008)

Illustrated by: Corey Wolfe

ABOUT THE AUTHOR:

Eric J. Reinhold is a graduate of the U.S. Naval Academy. The former Naval officer writes extensively for a variety of national financial publications in his position as a Certified Financial Planner® and President of Academy Wealth Management. His passion for writing a youth fantasy novel was fueled by nightly impromptu storytelling to his children and actively serving in the middle and high school programs at First Baptist Sweetwater Church in Longwood, Florida.

Visit him at his website.

AND NOW...THE FIRST CHAPTER:

The
Angel’s Visitation

It first appeared as a gentle glow, almost like a child’s night-light. Heavy shadows filled the room as the boy lay face up, covers tucked neatly under his arms. A slight smile on his face hinted that he was in the midst of a pleasant dream.

Ryann Watters, who had just celebrated his twelfth birthday, rolled lazily onto his side, his blond hair matted into the pillow, unaware of the glow as it began to intensify. Shadows searched for hiding places throughout the room as the glow transformed from a pale yellow hue to brilliant white.

Ryann’s eyelids fluttered briefly and then flickered at the glare reflecting off his pale blue bedroom walls. Drowsily, he turned toward the light expecting to see one of his parents coming in to check on him. “What’s going on?” his voice cracked as he reached up to rub the crusty sleep from his eyes.

***

Under a pale half-moon, Drake Dunfellow’s house looked just like any other. A closer inspection, however, would reveal its failing condition. Water oaks lining the side of the curved driveway hunched over haggardly, like old men struggling on canes. The lawn, which should have been a lively green for early spring, was withered and sandy. A few patches of grass were sprinkled here and there. Rust lines streaked down the one jagged peak atop the tin-roof house. The flimsy clapboard sides were outlined by fading white trim speckled with dried paint curls. Hanging baskets containing a variety of plants and weeds all struggling to stay alive shared the crowded front porch with two mildew-covered rocking chairs. Inside, magazines and newspaper clippings both old and new were carelessly strewn about. Encrusted dishes from the previous day’s meals battled each other for space in the bulging kitchen sink. In the garage, away from the usual living areas, was a boy’s room. Dull paneling outlined the bedroom, while equally dreary brown linoleum covered the floor. The bedroom must have been an afterthought because not much consideration had been given to the details. A bookcase cut from rough planks sat atop an old garage sale dresser.

Moonlight pressing through the dust-covered metal blinds tried to provide a sense of peacefulness. Instead it revealed bristly red hair atop a young boy’s head poking out from beneath a mushy feather pillow. His heavy breathing provided the only movement in the quiet room. Tiny droplets of perspiration lined his brow as he began jerking about under the thin cotton sheets.

Starting at the edge of the window, the blackness spread downward, transforming all traces of light to an oily dinginess. Drake was slowly surrounded and remained the only thing not saturated in the darkness. Bolting upright to a stiff-seated attention, Drake’s bloodshot eyes darted back and forth. He stared into the black nothingness shuddering and aware that the only thing visible in the room was his bed.

“Who . . . who’s there?” Drake cried out, puzzled by the hollow sound that didn’t seem to travel beyond the edge of his mattress. Beads of sweat trickled down his neck, connecting his numerous freckled dots. He strained, slightly tilting his head, ears perked. There was no reply.

***

Neatly manicured streets wandered through the Watters’s sleepy, rolling neighborhood. If someone had been walking along in the wee morning hours of March 15, they would have noticed the brilliant white light peeking out from around Ryann’s shade. Below his second-story window the normally darkened bed of pink, red, and white impatiens was lit up as in the noonday sun.

Ryann was fully awake now and quite positive that the dazzling aura facing him from in front of his window was not the hall light from his parents entering the bedroom. Golden hues flowed out of the whiteness, showering itself on everything in the room. It reminded Ryann of sprinkles of pixie dust in some of his favorite childhood books. His blue eyes grew wide trying to capture the unbelievable event unfolding before him.

“Fear not, Ryann,” a confident, yet kind, voice began. “I have come to do the bidding of one much greater than I and who you have found favor with.”

Rapid pulses in his chest gripped Ryann as he struggled to understand what was happening. Instinctively he grasped his navy blue bed sheets and pulled them up so that only his eyes and the top of his head peeked out from his self-made cocoon. Squinting to reduce the brilliance before him, Ryann stared into the light, trying to detect a form while questions scrambled around his mind. What had the voice meant by “finding favor,” and who had sent him? As Ryann struggled to work this out, the center of the whiteness began to take the shape of a man. Human in appearance, he looked powerful, but there was a calmness about his face, like that of an experienced commander before going into battle. Ryann recalled hearing about angels in his Sunday school class at church. He wondered if this could be one.

“Ryann, thou have found favor with the One who sent me. You will be given much and much will be required of you.”

Still shaking, Ryann was fairly certain he was safe. “S-s-s . . . sir, are you an angel?”

“You have perceived correctly.” “And . . . I’ve been chosen by someone . . . for something?” Ryann asked.

“The One who knows you better than you know yourself,” the angel answered.

Ryann knew he must be talking about God, but what could God possibly want with him?

“What am I supposed to do?”

“Thou must search out and put on the full armor of God so that you can take a stand against the devil’s schemes. For your struggle is not against flesh and blood, but against the powers of this dark world and against the forces of evil in the heavenly realms.”

“The devil? Forces of evil? I’m just a kid,” Ryann said. “What could I possibly have to do with all of this? You’ve got to be making a mistake.”

“There are no mistakes with God. Thou have heard of David?”

“You mean the David from David and Goliath?” Ryann asked.

The angel nodded. “He was also a boy chosen by God to accomplish great things. God chooses to show His power by using the powerless.”

Ryann tried to comprehend the magnitude of what this mighty being was saying to him. Realizing he was still sitting in his bed, covers bunched around him, he pulled them aside and swung his feet out, never taking his eyes off the angel. Landing firmly on the carpet, Ryann’s wobbly knees barely supported him, the bed acting as a wall between him and the angel.

“Who are you?”

“I am Gabriel and have come to give you insight and understanding.”

“Wow!” Ryann couldn’t believe this was the same angel who had appeared to Joseph and Mary in the Christmas story he heard every December. The lines of excitement on his face drooped as he fidgeted, thinking about the angel’s words. “I don’t want to . . . seem . . . ungrateful,” Ryann hesitated, “but . . . is there any way you can . . . ask someone else?”

“Only you have been given this trial, Ryann, yet you shall not be alone.”

“Who will help me?”

“As the young shepherd boy David spoke, ‘The angel of the Lord encamps around those who fear Him, and He delivers them. For He commands His angels to guard you in all your ways.’” Gabriel’s twinkling gaze rose as he stretched his arms heavenward, “And these will assist you along the way.”

Beckoning Ryann from behind the bed, the angel glided effortlessly forward to greet him. Walking to within a foot of Gabriel, Ryann bowed humbly, basking in the radiant glow that emanated all around him. Reaching out, the angel grasped Ryann’s left hand firmly and slipped a gold ring, topped by a clear bubble-like stone, onto his finger. Before he could inspect it, the angel took his other hand and placed a long metal pole in it. Ryann’s hand slid easily up and down the smooth metal finish. Its shape and size were similar to a pool cue. Bone-white buttons protruded from just below where he gripped the staff. They were numbered 1, 2, 3, 4, 5, 6, and 7. Mesmerized by the gifts that begged for more attention and questions, Ryann hardly noticed Gabriel loop a long leather cord through his arm and around his neck. From it a curved ivory horn hung loosely below his waist, resting on his hip.

As Gabriel finished and backed away, Ryann continued marveling at each of the gifts. Reaching down to inspect the horn, he ran his hands along its smooth, yet pitted surface, until he reached the small gold-tipped opening. He wondered how old the horn was and if it had been used before.

“What do I do with these? How do I use them?”

“It is not for me to reveal,” answered the angel calmly. “You shall find out in due time.”

“But what do I do now?”

“Thou must seek the King’s sword.”

“How? What King? Where do I look?” Ryann blurted out, panicking as questions continued to pop into his head.

“The Spirit will lead you, and the ring will open the way,” the angel replied as he began floating backwards, the light peeling away with him.

“Wait, wait! Don’t leave—I don’t know enough—where do I go now?”

“Remember,” Gabriel’s clear voice began to fade, “all Scripture is God-breathed and is useful for teaching, rebuking, correcting, and training in righteousness, so that you may be thoroughly equipped for all good works.”

Clutching the mysterious heavenly gifts he had been given, Ryann collapsed in a heap on his bed, body and mind drained from his supernatural encounter. He drifted into a welcomed sleep.

***

It seemed Drake’s bedroom no longer existed. Only his bed remained, an island floating in a sea of darkness that completely surrounded him. His eyes bulged, darting about for anything that would give him a hint of what was going on. A cool draft drifted down his neck, chilling him despite the safety of his covers. Caught between reality and a nightmare, he let loose a scream that normally would have been heard throughout the house and beyond, but now was absorbed into the heavy darkness enveloping him.

“Who’s there?” he said again. He pinched himself to see if he was dreaming.

With a loud swoooooooosh, huge wings shot out of the darkness surrounding his bed. Drake dove for the safety of his covers.

A thunderous, commanding voice ordered, “Come out from hiding and stand up!”

Drake hesitated, knuckles tense and white as they curled tightly around the edges of his blanket.

“Now!” the voice thundered.

Jerking his covers off, Drake scurried to the edge of the bed, lost his balance, and awkwardly fell face-first onto the cool floor. Petrified at what he might see, yet too scared to disobey, he raised his head slightly. Half expecting some hideous beast, Drake was surprised at what he was facing. The black-winged warrior towering over him was imposing enough to paralyze anyone with fear, but his face was what captivated Drake. Instead of a hideous three-eyed ghoul with fangs, like Drake imagined, he stared into one of the most ruggedly handsome faces he had ever seen. Drake froze, mesmerized.

“Sit up and listen closely, human,” the dark angel began, closing his wings in an effortless swish. Lowering his voice, he spoke in a precise, but less threatening tone. “I have chosen you to carry out my wishes.”

Drake raised himself to a clumsy crouch. The face he looked intently into was perfect in almost every way, except for a long thin scar that traveled from his left ear to his jaw. He was convinced now that this wasn’t a monster trying to devour him.

“Why me?”

The angel’s scar became more noticeable when he smiled at Drake. “I have been here before with great success and have reason to believe you will serve me well.”

“What do you want me to do?” Drake blurted.

“The one who seeks to bind me must be stopped!”

Drake stumbled backwards, putting a hand on the floor to keep from falling. Swallowing hard, he could feel the black, penetrating eyes staring deep into his.

“You are the one,” the creature said confidently.

No one had ever chosen Drake for anything, yet this powerful being wanted him. He didn’t know if he could trust the dark angel or not, but the chance for power excited Drake. “How do I do it?”

The dark angel continued to smile, sensing the blackness in Drake’s heart spreading murkily throughout his body.

“I will be your eyes and ears, a guide to lead you in the right direction, and,” he hesitated, “I will give you these.”

The dark-winged angel stretched out his hand, his index finger pointing toward the empty floor in front of him. Immediately three items appeared before Drake’s eyes. He blinked again. They were still there. Drake’s hand shot out in a blur to grab the closest item.

“Stop!”

Drake froze, and then cowered, his eyes shifting back to the booming voice as he slowly retracted his hand. His eyes darted back and forth between the three items and the dark angel in the awkward silence.

“You move when I tell you to move. Now . . . kneel before me, child of the earth, while I make you ready for your task.”

Still hunched-over, Drake pitched forward onto his knees with his head bowed, eyes glancing upward in anticipation.

“My first gift to you is a cloak of darkness. It will provide you with cover at night. You and the night shall become one.”

Drake reached out his hands to receive the cloak. It felt smooth and slippery. Looking intently at it, the cloak seemed several feet thick, as if it was projecting darkness.

“My second gift to you is a ring of suggestion. With it you will have the ability to project persuasive thoughts to those who are weak-willed or in the midst of indecision.” Powerful hands with long curled fingers took hold of Drake’s hand, spreading an icy chill from the tip of his fingers to his wrist. As the creature slipped the black band onto his finger, Drake briefly noticed a red blotch on the top. His hand felt stiff, then the numbness traveled up his arm and throughout his body. Chattering clicks from his own teeth broke the silence as he awaited the angel’s next words. “Lastly, I provide you with a bow and arrows of fire. These arrows were formed in the lake of fire and will deliver physical and mental anguish to those they touch.”

“Thank you . . . uhh . . . what should I call you?” Drake asked.

“I am one of the stars that fell from heaven. My master is Shandago and I am his chief messenger. You may call me Lord Ekron.”

“Thank you, Lord Ekron, for these gifts. I may be young, but I’ll do as you ask to the best of my ability.”

“It is expected. Also, these items I have given to you are not for use in this world. When the time is right, you will find a passage into another land. There you will put these gifts to work.”

The darkness in the room began to rush toward Lord Ekron, as if he were absorbing it, except he wasn’t getting bigger—only darker. Drake kept staring at him, trying not to blink, so he wouldn’t miss anything. Despite his efforts, the dark angel began to fade, and Drake found himself peering into the darkness at the blank wall. When he was sure his eyes weren’t playing tricks on him and enough time passed so that he felt safe to move, he stood up.

Drake would have thought this was all a bad dream, but the items he held in his hand were proof that it was real. He ran his hands through the dense blackness of the slick cloak, wondering how he might use it. Drake was anxious to try the bow and arrows as well. He didn’t dare pull the arrows out of their quiver right now, but decided that he would have to buy a regular bow and quiver of arrows as soon as possible so that he could begin practicing. Looking down at his hand, he examined the unusual ring he now wore. The entire band was a glossy black, except for the unusual red marking on the top, which resembled a flying dragon.

Not much had gone right for Drake during the first thirteen years of his life. “Now things are going to be different,” he thought. The smile inching across his face looked evil. He knew with Lord Ekron at his side no one would be able to tell him what to do.

BUY THE BOOK AT WWW.RYANNWATTERS.COM/

Part Two: Interview with Beverly Lewis

Today we are fortunate enough to have best-selling author, Beverly Lewis, back in the Alien Dream studio. She’s going to be discussing some awesome subjects today: among them, her opinion on the old plot-versus-protagonist debate and advice for beginning writers.

MERRIE: When writing your books, which comes first the plot or the character? Is one more important to you than another, and if so, why?

BEVERLY: Always the protagonist. The day I “hear” a new character’s voice, I know it’s time to start taking notes, paying attention. This typically comes midway through the writing of the third book in a contracted trilogy—I know who the new character is vying for attention in the next series.

MERRIE: I have to say that I absolutely agree. I’ve been struggling with my next book idea and just heard my main character’s voice last night. He wasn’t anything like I expected, in fact for weeks I thought he was supposed to be a girl! Is there one tip you would give to a beginning writer?

BEVERLY: Write what you love to read.

MERRIE: Great answer. Passion brings inspiration. Was there ever a time when you almost quit writing? If so, can you tell us about it and why you decided not to stop?

BEVERLY: I’ve never known typical writer’s block. I’ve had weeks when there were seemingly not enough hours in the day to accomplish what I wanted to finish writing, though. And I did take a self-imposed six-month break when my mother died, nearly two years ago. It just knocked me out—I didn’t expect to feel so wiped out, knowing how she longed to be with Jesus, having suffered for so many years. I thought I’d be happy about her eventual passing, but, oh did I ever miss her. And still do.

MERRIE: I’m so sorry to hear about your mother’s death, Bev. But thank you for being honest about what was obviously a difficult time. I’m one of those people who think it’s important to take a break from writing, from time to time, to regenerate. I understand that you’re going to be teaching at the upcoming OCCWF conference on April 12. Can you tell us a few things you hope to discuss in your seminar?

BEVERLY: The co-producer of the movie, “Saving Sarah Cain,” based on my very popular novel, The Redemption of Sarah Cain, and I, will be discussing the journey from fiction to film in a joint workshop. Can’t wait! I’ll also be presenting key points in my keynote speech, to help writers find their way to publication, using the “Simple Gifts,” the success secrets that seem to be lost to so many.

MERRIE: That sounds like a fantastic workshop. (I hope they have a lot of chairs in that room!) And your keynote speech sounds inspirational. I’m sure everyone will enjoy that, too. Can you tell us when your new book, The Forbidden, will be available?

BEVERLY: It’s being shipped this week, I believe.

MERRIE: For all of our Alien Dream readers, I just checked Amazon and found out that you can pre-order a copy of The Forbidden at this link.

MERRIE: Beverly, thank you again for allowing me to interview you. I really appreciate it! Is there anything else that you would like to say?

BEVERLY: I’m every excited to meet writers in Orange County and to encourage them in their passion and calling. It’s also kinda brown right now in Colorado, so I’ll be ready for some warm temps and…lush, tropical greenery. Thanks, Merrie…such fun! I’ll look forward to seeing you soon!

MERRIE: Well, we'll all be looking forward to meeting you too, Beverly!

To all my Alien Dream readers, don’t forget, there are still openings available to attend the OCCWF conference. Visit their site at OCCWF for more information.